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A Playlist of Covers You Need to Hear

  • May 10
  • 1 min read

Music lovers often find themselves drawn to cover songs that bring a fresh perspective to familiar tunes. Sometimes, these covers even surpass the originals in creativity, emotion, or style.


A person plays an acoustic guitar seated on a stool in a warmly lit room. A lamp, plant, and guitar cases are visible, creating a cozy mood.

Standout Covers from the Playlist


The playlist includes a variety of covers that have gained attention for their unique takes. Here are a few examples that illustrate why these versions shine:


"The Scientist" by Bea and her Business, Originally by Coldplay


"Take On Me" by Thunder Jackson, Originally by A-ha


"Creep" by Scott Bradlee's Postmodern Jukebox and Haley Reinhart, Originally by Radiohead


"Somebody Told Me" by Dead on a Sunday, originally by The Killers


"Where is My Mind?" by Harley Poe, Originally by Pixies


"The Lion Sleeps Tonight" by Peyton Parrish, Originally by The Tokens


"Unchain My Heart" by Hugh Laurie, Originally by Ray Charles


"Smells Like Teen Spirit" by Witchz, Originally by Nirvana


 "Hallelujah" by Jeff Buckley, originally by Leonard Cohen


"Defying Gravity" by Matt Copley, and Noise Machine, originally by Idina Menzel and Kristin Chenoweth, from the Wicked (2013) soundtrack.



Final Thoughts on This Playlist of Covers


We hope you've enjoyed this Playlist of Covers song suggestions. Whether through emotional depth, genre shifts, or vocal brilliance, these covers invite listeners to experience music from a different angle.


Close-up of a vinyl record on a turntable with a tonearm, in a softly lit room. A warm lamp and blurred plants in the background.

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Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

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