top of page

Bringing Japanese Tradition Forward; Koto Covers

  • Writer: Dylanna Fisher
    Dylanna Fisher
  • Jan 26, 2020
  • 2 min read

Switching Styles is bringing you Koto Covers. Cover songs are original compositions that are altered in some way, often by changing bands, genres, or instruments. In this case, these songs have been covered on the Koto.


Wooden koto instrument with 13 strings and white bridges, set on a plain purple background, evoking a traditional, serene mood. 1.
to C. traditional Japanese stringed musical instrument. Wikipedia.org. Published September 20, 2001. Accessed November 19, 2025. https://en.wikipedia.org/wiki/Koto_%28instrument%29
‌

Introducing Koto


The Koto, which is also known as kin, is the official instrument of Japan. This string instrument, usually made of paulownia or Kiri wood, consists of 13 silk strings and is approximately 190 cm or 74 inches long. As a zither, its strings are of the same length as its soundboard. Other types of zithers include the Alpine Scheitholt, Lyre, Lute, Viol, and Hammered Dulcimer.


The Koto, a Japanese stringed instrument, drew inspiration from the Chinese guzheng with its initial five strings. As time passed, the number of strings on the Koto increased to 12 and later expanded to 13. During the early Nara period (710–784), the Koto made its way to Japan. The Koto has 12 or 13 strings made of silk, whereas its cousin, the Guzheng, has 21 metal strings.


Originally, Koto was a generic term used for Japanese stringed instruments during the Nara period. However, as years went by, many different names for diverse instruments grew to be. The Koto that we know today would be unrecognizable to the people of the Nara period. The Koto has evolved over time, and it is now a prominent instrument in traditional Japanese music.


Hands playing a traditional string Koto instrument with a wooden body. The person wears a pink patterned outfit, creating a serene mood.

1.
Team HmS. Koto: History, Characteristics, and Sound - Handmade Sound. Handmade Sound. Published January 17, 2023. Accessed November 19, 2025. https://www.handmadesound.com/en/koto-history-characteristics-sound/
‌

The modern Koto comes from gakusō, which is primarily used in Japanese court music. The performer kneels or sits on the floor while playing the Koto, even in live concerts. Its soft and enchanting sound is beautiful, as you can hear below.


“The is a unique Japanese musical instrument. It has a history in Japan of over 1200 years and today does much to represent Japan’s traditional past,” writes Henry Johnson.


Koto Cover Songs


Musicians such as June KuramotoReiko ObataElizabeth Falconer, and Yukiko Matsuyama bring the Koto to modern music. However, they’re not the only musicians who provide koto music in a contemporary context. Cover musicians like the ones below do precisely that.


TRiECHOES feat. DJ Shota‘s cover of ‘Shape of You’ originally by Ed Sheeran



Shaku8kozan‘s cover of ‘Telephone’ originally by Lady Gaga



Fernando Neves‘s cover of Sadness and Sorrow Originally from Naruto




Michiyo Yagi playing a 21-string koto

jim - originally posted to Flickr as Yagi Michiyo playing koto

Sources Used

  • Encyclopedia Britannica. (2020). . [online]

  • “Hugo’s window on the world of Chinese Zheng.” Chime. Leiden: European Foundation for Chinese Music Research. 16–17: 242. 2005.

  • Johnson, Henry (1996). “A Koto” by Any Other name: Exploring Japanese Systems of Musical Instrument Classification”. Asian Music. 49: 38–64.

  • Johnson, Henry (2004). . Amsterdam: Hotei Publ.

  • Landis, Brendan (2008) Koto [Photograph] Newstead Montegrade, Boston, Massachusetts: Flickr

Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating

Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

bottom of page