top of page

Interviewing KDrummer 16

  • Writer: Dylanna Fisher
    Dylanna Fisher
  • Nov 15, 2020
  • 2 min read

Music has had a substantial impact on my personality. It allowed me to express who I truly was, gave me confidence during moments of doubt, and, most importantly, it relieved me of any negative emotions daily.


KDrummer 16 in an interview with Switching Styles


Close-up of a drummer playing a drum set on stage. Focus on drumsticks and cymbals, with a blurred background. The mood is energetic.

Bringing you amazing drum covers, brought to life and creating new levels with practical, edited effects. These covers are hard, energetic, amazing and visually stunning. These visuals add to the drum covers themselves, allowing them to “capture the beauty of drumming, and of course the drumming of the metal and hard rock genre.”

Starting in September of 2014, KDrummer 16’s YouTube channel has grown to 15,771 views and continues to grow. His love for music started way before YouTube, however. In fact, it started in his 3rd-grade music class.


“My friends and I watched this film that focused on the drummer quite a bit, and I thought how cool it would be to play like that. One day, my Dad came home from work with a tom drum in his hand; I was so happy to have received the first drum that I didn’t even realize there was an entire five-piece kit behind him!”


KDrummer16 is a drummer with a lot of skill and even more attitude. He covers hard rock bands such as Godsmack, Nine Inch Nails, Slipknot, Mötley Crüe, Tool, Metallica, and Avenged Sevenfold. These are the bands that have inspired his sound: aggressive, ecstatic, and fun.


“The musicians that inspire my sound are Danny Carey of Tool, John Bonham of Led Zeppelin, and Jimmy “The Rev” Sullivan of Avenged Sevenfold. Carey challenges me to play complicated fills and in odd time signatures, Bonham taught me to play loud and maintain a solid groove, and my ecstatic playing is all thanks to The Rev,” he explains in an interview with Switching Styles.


KDrummer16


KDrummer 16 Drum Covers


Covers give him a chance to connect with people. They appeal to people because it can show a different side to their favourite songs.


As he explains, “A drummer may decide to put a half-time feel over an upbeat feel, and it changes the entire emotion the song is trying to convey. If one really likes a song, they will find different ways to enjoy it, which always leads to covers”.Here are Switching Styles’ favourite drum covers from KDrummer 16.



“IT is the End” Originally by Ice Nine Kills


Let’s start with his personal favourite drum cover. Not only because it’s fun and wild but being able to take on the persona of a killer clown makes it all that much more awesome.



“7empest” Originally by Tool



“Whatever” Originally by Godsmack



“Show Me How to Live” Originally by Audioslave



“Deathwish” Originally by Red Sun Rising



“Riot” Originally by Three Days Grace



“Bodies” Originally by Drowning Pool



“To Be Loved” Originally by Papa Roach



“Smooth Criminal” By Alien Ant Farm



Comment below which drum cover hit the spot!


KDrummer16 as Pennywise the Clown playing drums intensely in a room with red balloons, and posters including "Zeppelin." Dim lighting creates a dramatic mood.

Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating

Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

bottom of page