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Introducing Almost there but not really (ATBNR)

  • Jan 5, 2022
  • 1 min read

Almost There But Not Really is a Latinx indie group from the Southside of Chicago. With the genres of alternative Spanish rockdream popindie rockpost-punk, these Chicago local musicians showcase what it means to be musical.

They play sad, sombre and sometimes political songs complete with chimney Fender guitars, syncopated rhythms, as well as ambient trails. This Chicago-based band has a range of amazing sounds.

Releasing a collection of demos in the spring of 2021, ATBNR has persevered despite the pandemic impacting the entire world. On their Bandcamp account, they explain that “Emerging out of the pandemic is our first release, a set of our self-produced and recorded demos”.

DEMOS Album Art by ATBNR

Check out the Demos tracklist!

All of their songs are available on Spotify. Their release isn’t the only thing that this band has persevered with. As soon as they were able to perform live, they did.

Almost There But Not really Band Members

During the Halloween of 2012, they performed a Halloween show at Magoos Bar and Grill alongside Death of Self, Alive Alone, Punch Club, Nikko Blue, and Sweet Hudson. With more shows coming up regularly, they’re not likely to stop providing awesome songs to their fans. Check out their upcoming shows on their Facebook page.

Learn more about ATBNR right here and on Switching Styles!

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Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

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