top of page

PostModern Jukebox at Edmonton’s Winspear

  • Writer: Dylanna Fisher
    Dylanna Fisher
  • Mar 15, 2019
  • 2 min read

Our writer attended the highly anticipated Postmodern Jukebox performance at the Edmonton Winspear. The audience was left spellbound with reimagined hits and vintage flair. Postmodern Jukebox (PMJ) is known for their genre-bending arrangements. They delivered a show that was a musical journey. It was also a theatrical spectacle.

Switching Styles | Music | Online Publication |

PMJ performance at the Winspear March 10th. Photos were taken by Dylanna Fisher

Enthralling. Engaging. Entertaining. And simply excellent.

From those leaning forward in the seats enthralled by the vocals of some of PMJ‘s finest, to the couples swing dancing in the aisles to the versatile instruments. This performance had a captured audience. Watching the Post Modern Jukebox ensemble perform felt like you were the only person in the auditorium.

The performance itself was unlike any concert I’ve ever been to. Post Modern Jukebox, otherwise known as PMJ, is a musical collective of music covers. Specifically, they are known for recreating the iconic music styles of the ’20s. Swing, Jazz, and other vintage genres are how they recreate songs to be uniquely PMJ.

The concert was full of cover songs, which is right up Switching Styles Alley. The vocalists bringing new life to the old classics included CunioDani Armstrong, David Simmons Jr., and the original PMJ voice, Robyn Adele Anderson.

But the music wasn’t the only jazzy feel to the performance. Sarah Reich, a tap dancer, creates an amazing accompaniment with her dancing shoes. She adds energy to the stage that both the audience and her peers feed off of. It’s an amazing thing to see.

A standing ovation awaited the end of the performance.

Standing Ovation (1)

This is their “Welcome to the Twenties 2.0 Tour”. Do you see what they did there? It’s a play on words to usher in a new decade for the 2020s. Postmodern Jukebox creator Scott Bradlee hopes this new decade will see a revival of art and culture like the 20s decade of the 1900s.

“Last time around the ‘Twenties gave us Jazz, America’s one true art form. Who knows what is possible in the 2020s?” says Bradlee in an interview with DRW Entertainment, “One thing that is for sure is that there are a lot of folks that are tired of the click-bait headlines, mindless reality TV, and smartphone addiction that has only served to divide people in the last decade. We’re using our small corner of the pop culture space to tell people to forget their troubles, and come join us for a night of celebrating true musical talent and timeless style — live and in real life.”

Check out PMJ and let me know what you think in the comments below!!

Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating

Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

bottom of page