top of page

Release Radar: Metal Albums You Won't Wanna Miss

  • 2 days ago
  • 3 min read

Metal musicians are releasing plenty of loud, rocking and downright heavy music. From riff-heavy hard rock to technical death metal, stoner grooves and chaotic mathcore, we're here for it. There’s no shortage of new albums, songs and eps competing for a spot in your headphones. We’re keeping our ears open for the releases worth cranking the volume way up.



Releases on our Radar

Whether you’re looking for something to soundtrack your next road trip, a new band to obsess over or an excuse to turn the volume knob high, these albums and releases caught our attention.


Golaim, Album by Fenris


Heavy metal, hard rock, melodic metal. If you like your riffs served with a healthy dose of classic-metal muscle, Fenris’ Golaimis worth excavating. Expect the kind of dramatic, guitar-driven sound that lands somewhere between Metallica, Iron Maiden, Avenged Sevenfold, Bullet For My Valentine and Trivium. Originally released in 2019, Golaim has been digitally reissued and is now streaming on Spotify.




Black Mountain, by The Roost


Alternative rock, grunge, hard rock. Belgian four-piece The Roost bring a fuzzy, melodic edge to their new mini-album Black Mountain. Fans of Alice In Chains, Foo Fighters, Royal Blood, Stone Temple Pilots and Weezer should find plenty to sink their teeth into, with grunge grit meeting big alternative-rock hooks and bluesy swagger.




Violet Crown, by Voodoo Queen


Fuzz rock, stoner rock, heavy blues. French outfit Voodoo Queen are digging deep into vintage fuzz, desert-rock grooves and modern stoner heaviness with Violet Crown. Their new music video for “Bright Cage” offers a taste of the debut album’s hypnotic riffs, heavy grooves and introspective songwriting. Fans of Blue Pills, Rival Sons, Graveyard, Kyuss and The Vintage Caravan should feel right at home.



Xenotaph, by Fallujah


Progressive death metal, technical death metal, extreme metal. Fallujah’s sixth studio album Xenotaph takes the band’s technical and progressive side even further, combining intricate musicianship with a sprawling sci-fi concept. Originally released through Nuclear Blast Records in June 2025, the album expands on the direction of Empyrean while pushing deeper into atmospheric, dynamic and futuristic territory. Fans of progressive and technical extreme metal should give this one a spin.



This Is the Way, by Gravemass


Black metal, atmospheric metal, extreme metal. Gravemass channel the bleak, ritualistic side of black metal, creating a sound that feels less like a playlist and more like being dragged into the woods at midnight. Their debut album, This Is the Way, is on the horizon for March 2026, promising a suffocating atmosphere, punishing intensity, and an occult edge. Their live presence is just as imposing, making them a band worth watching whenever they appear on a festival lineup.



EXTREME METAL, by Dead Kiwis


Chaotic hardcore, mathcore, extreme metal. French outfit Dead Kiwis have returned with EXTREME METAL, a release that wastes absolutely no time getting weird. Fans of Dillinger Escape Plan, Converge, Every Time I Die, Frontierer and The Chariot should expect fractured riffs, frantic energy and the sort of controlled chaos that makes you wonder whether the band is playing the song or fighting it.




Keep the music rocking.

The best thing about keeping an ear on new music is never knowing what will stick. From Canada’s growing heavy-music scene to international bands pushing metal, hardcore and rock into stranger territory, there’s plenty to discover. So turn it up, support the bands making the music.


­

­

­

Comments


Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

  • RSS
  • LinkedIn
  • BlueSky
  • Facebook
  • Instagram
  • Twitter
bottom of page