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What did you say? Bad Lip Reading

  • Writer: Dylanna Fisher
    Dylanna Fisher
  • Sep 16, 2020
  • 1 min read

“I put words into other people’s mouths.” ~Bad Lip Reading~

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Bad Lip Reading has taken the world by storm by bringing comedy in the form of bad lip reading and combining it with music to create BLR. Although similar to misheard lyrics, these covers are instead merely misread.

The creator took inspiration from lip reading and the deaf community as he had to learn to read lips. His mother, a musician as well, went deaf in her 40’s requiring her to become an expert lip reader out of necessity much to the amazement of her son. Unfortunately, when he started, BLR was terrible at lip reading, getting misread messages much like his bad lip reading videos.

Bad lip reading video is a comedic type performance taking the world by storm with over 991,823,564 views since 2011. The first Bad Lip Reading video released spoofing Rebecca Black‘s song “Friday“, titled “Gang Fight”.  One of them even had Mark Hamill as a guest star.

Here are some of Switching Styles’s top BLR videos for your listening pleasure!

“MY STICK!”

“INAUGURATION DAY”


“SEAGULLS! (Stop It Now)”

“THE NFL”

“BUSHES OF LOVE”

“The Walking (And Talking) Dead”

My nephews turned me on to Bushes Of Love by @BadLipReading. "Every day I worry all day" is THE summer jam of 2017, imho. https://t.co/hspxo1JvGz

— Lin-Manuel Miranda (@Lin_Manuel) August 14, 2017


Do you have a favorite BLR Video? Let us know below!

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Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

We commit to supporting Indigenous voices and ensuring that Indigenous music, stories, and cultures are protected, amplified, and never erased.

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