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Dan Vasc’s Heavy Metal Covers

  • Writer: Dylanna Fisher
    Dylanna Fisher
  • May 28
  • 3 min read

Dan Vasc’s Heavy Metal Covers Guest Written By Jason Greiner

There are some words you just never expect to hear in the same sentence. These terms that most of us might see as an oxymoron of sorts. “Good Singer” and “Heavy Metal” are two such terms that probably fit this notion.   

Sure, you might be familiar with the intoxication rendition of “The Sound of Silence” as performed by the band Disturbed that came out some years back.

But other than that, you’d be hard-pressed to think of any other songs that fit this bill. 

Even the most adamant fans of Heavy Metal would probably not consider the lead vocalists in that genre to be on par with those who would be considered classically talented singers. And, in almost all cases, I would have to agree. The emphasis here is on almost.  

If you haven’t heard of Dan Vasc, let me introduce you to the unexpected. Vasc is a YouTube sensation bringing his extraordinary style and Heavy Metal vocals to the masses with covers of some of the most famous and loved songs across a variety of genres.   

If I recall accurately, I accidentally came across his video while searching for different versions of the 1980s gem “Heaven Is A Place On Earth” by Belinda Carlisle. And to say I was blown away would be a massive understatement. I then looked into other tracks re-imagined and redone by this young man originally from Brazil and came across a treasure trove of awesome tunes.   

His major recordings include the church hymn “Amazing Grace,” the Celine Dion hit “My Heart Will Go On,” a rendition of the incredible song “The Sound Of Silence,” Seal’s “Kiss From A Rose” and many more. Some even include songs written in foreign languages!   

His official website danvasc.com provides links to both his social media accounts and online outlets to find his music for purchase.   

The casual listener might benefit from knowing that Vsac actually has classical training in his background, which allows for a better understanding of how to utilize the full potential of his vocal cords through everything from posture to breathwork. This is covered in several reaction videos in which professional vocal coaches have commented on his videos. 

During a reaction to his performance of “Amazing Grace,” the YouTube vocal coach going by the name The Charismatic Voice said, “I love the demonstration of so many excellent different kinds of techniques”  

Vocal coach Ken Lavinge, who also has a large following on the video platform, stated, “Just listening to these harmonies and how well-matched they are rhythmically, it’s beautiful. Well done, Dan.”  

“He’s got huge lungs; he’s got great breath support,” said Juliete Lyons, both a voice coach and musician in her own right, while reacting to one of his videos.  

One of the most frequently noted qualities of his voice is the range of tones and styles he can produce. Of course, as a metal singer, he can put out  a powerful, aggressive sound and snarl. But, he can also reach very soft tones and a stunning vibrato. Some of his content is almost operatic!  

And his talent goes beyond just the captivating vocal skills. In some of his videos, he plays instruments, including the guitar and harmonica.  

If you are looking for a unique combination of the power and energy of Heavy Metal mixed with outstanding vocals that will be a feast for your ears, I highly urge you to look this guy up. You won’t be disappointed.   

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Switching Styles is based in central Alberta, on the enduring homelands of many Indigenous Peoples, including the Beaver, Big Stone Cree, Cree, Dënéndeh, Ĩyãħé Nakón mąkóce (Stoney), Kelly Lake Métis Settlement Society, Ktunaxa ɁamakɁis, Lheidli T’enneh, Michif Piyii (Métis), Mountain Métis, Niitsítpiis-stahkoii (Blackfoot / Niitsítapi), Očhéthi Šakówiŋ, Tsuut’ina, ᓀᐦᐃᔭᐤ ᐊᐢᑭᕀ Nêhiyaw-Askiy (Plains Cree), Woodland Cree, and many others. As a Canadian music platform, we recognize that the arts exist within broader systems shaped by colonial history. Colonial policies and practices deliberately sought to suppress Indigenous cultures, traditions, and songs. We acknowledge this history and its ongoing impacts of colonialism. We are grateful for the opportunity to share music and culture on these lands, and we commit to ongoing learning, accountability, respect, and meaningful action.
 

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